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"Well, major," said Mrs. Dallas, after the first greetings were over, "what did that wicked man say to you yesterday?" "That will I!" cried Patricia, heartily. "We'll ship Judy to Mrs. Shelly on an afternoon train, and make Miss Jinny feel it's her duty to chaperone us among the wild and woolly artists. Oh, it will be contemptibly easy! But," and her face fell in dismay, "what are we to wear? We haven't any party clothes, you know." "Like a charm to keep off ghosts," laughed Patricia. "Perhaps we ought to cross our fingers, Ju, when we remember to. That might help, too.".
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Elinor gave her a loving look, and Patricia, appropriating a corner of her big muff, gave her hand a surreptitious squeeze. Judith, who had been scanning her narrowly, opened her eyes at this, and asked innocently, "Is that why you thought you'd like him? Because he was older and more grown-up?" Miss Jinny chuckled. "We knew you were only marking time till you stepped off into your music," she said encouragingly. "It was nice, of course, that you got along so well, but no one expected you to take to it for good and all." So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic..
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